Purveyor of Pleasure

Delving into my humanity and the joys and pitfalls of an overanalytical nature.

Tag: feeling deeply

On the Love of Self and Selfies

August-September 2015.

August-September 2015.

Selfies are the self-portraits of this current technological age. They tell you a lot about how the person sees themselves; how they want to be seen by others. The angle, the tilt of their head, if the smile is candid or staged, forced or relaxed, or even there at all.

In this age of social media we can (to some degree) control our image: how we are seen, what info about us and our lives is shared, and what is not. Sometimes. Sort of. We can try to tailor our image to fit into what we want to look like, who we want to be, or we can bare it all, our prides and our failings, letting the viewer or reader decide what to keep and what not to.

At the same time, we can only control so much. Other people will post about us, post pictures of us. Other people will see what they want to see, what they can see. What people see will always be filtered, not just through their screens, but through their own perceptions and life experiences, their own projections and assumptions. Do they have context for your words, your hair, your clothes, your all of you? Do they have to fight against their own or your own illusions to see you, or are you real and genuine? Are they real and genuine enough to see you?

How much are any of us related to reality?

I love posed professional-looking glamour shots, candid photos when no one knows a photograph is being taken, group action shots capturing an experience, and everything beyond and in between.

Sixteen. December, 2002.

December, 2002.

I used to hate photos of myself or having my picture taken, a reminder of this body I also hated. This Self I kept hidden and locked up from the world, buried beneath flesh and blood and muscle. Buried deep in some hidden corner of my heart. I tried, often desperately, to stay alive in a world that does not want my kind, which in a world that desperately needs us.

I was praised for emulating others and discouraged from expressing what I genuinely thought or wanted or needed. So I locked myself up so tight I often forgot to breathe. I forgot to move. I forgot to dance. I made a small space inside of myself where I could be free, and I called it paradise. It was a cage. Bits of me leaked out, because I could not help it, but inside I was frozen. Lonely.

I learned to adopt others’ ideas, others’ perspectives, others’ personae just to keep me alive. Though there were plenty of times I did not want to be. I thought for many years of the ways I could end what felt like the torture of living. I never really had access to knives sharp enough in the hardest moments, never a hand steady enough to apply the necessary pressure in the right places with knife in hand. Some kind of self-preservation sabotage, or cowardice.

Just one more day, I would tell myself. One more moment. One more breath. One at a time until the numbness takes over again.

Feeling nothing was often preferred to feeling everything.

The suffocating overwhelm of hopelessness was always more than I could handle.

Sixteen. December, 2002.

December, 2002.

Paradoxically, perhaps (in that way that life is), I found my outlet on stage acting larger than life and speaking four hundred year old lines about love, longing, pain, death, betrayal, revenge, cunning, magic.

I identified with longing: longing for love, longing for belonging. I identified with the uncertainty of desire for life, search for a sense of self, and mistrust of others. I identified with fighting to stay alive against seemingly insurmountable turmoil.

I let other stories, other characters, other personae infuse my being. They lead me back to some depth of myself where I had been hiding. Slowly. Only ever slowly. I got little glimpses of life then through these, glimpses of what life could be, though I never felt like I was part of it. Always a little removed, always a little numb, always a little (or a lot) the outsider. Always terrified of ridicule and mostly indifferent to praise, unable to really believe just about anything as real.

Although acting brought me back to myself, it was still more for others than it was for me.

I woke up one day and realized I was terrified of the world, of the other people in it, and, most importantly, of myself. I had designed a life around this fear, attempting to keep myself safe through hiding, locked away from the world in hopes that would mean I would no longer be hurt.

Determined to understand and integrate the fear, I began to investigate it. Where did it come from? What is real and what isn’t? Why do I act the way that I do? I had already been asking myself some of these questions, but did not realize just how numb I was. Just how locked inside. Just how broken.

June 2014

June 2014

I began to crack open the shell I had built up around myself over so many years, letting the outside in and the inside out. I embraced vulnerability, connection, change. I began feeling again. Deeply. Not just when I was having sex, but all the time. Sometimes more than I could bear.

Somewhere along the way I realized I was missing love for myself and trust in the world. The more I love myself the more I am able to take up space in the world, to be comfortable with who I am and what I am doing. It’s cliche, I suppose, but cliches are cliche for a reason. As I began to love myself more, I began to take selfies and revel in them. Or maybe it was the other way around.

A selfie, for me, is not just about finding the right pose, the right angle, though sometimes it is. It’s about sharing a moment in time, even if my smile often looks the same. It’s allowing myself to open up to myself, open up to the camera, open up to the viewer in a way I used to abhor. It’s showing myself off to the world. It’s taking my place in the world through allowing myself to be in it and take up (digital) space.

January 2016

January 2016

Heart Opening

I have so much aching in the heart of me
So old
So removed

The armor holding it in has been pierced
Slowly, access has been given
Tender smooth muscle exposed to the elements now
So frozen
So cold
So just daring to hope for more
Just barely daring

Just enough to be proven to that love can penetrate it
Love can penetrate me
Love can penetrate everything
Anything
That’s why it’s so important
That’s why I do this work

I look forward to be shown what love can do
Let myself open in ways I have helped others open
Blossoming into fullness
The completely bearable fullness of being
Being alive inside
Trusting to be held

A Second Shot

If you’re reading this and you haven’t read the previous two protected posts, I highly encourage you to go back and read them, it’s the same password.

Experienced my second shot of T last night. This time I did it myself (while supervised) in our temple rather than my doctor’s office and with Onyx and a couple friends around. It was a similar and also very different experience than the first shot (though I’m sure each shot will be its own unique thing).

Even though I’ve thought about this for so long and have felt confident that upping my testosterone is a good thing and what I want, I am still surprised at how good it actually feels to be taking this medicine. It feels like medicine for my body, soul, and spirit in ways I don’t even know how to articulate. It’s still really strange for me, though.

I know it’s really only been a week–and I want to give myself room for changing my mind about this in the future–but it feels so right. Surprisingly right. Way more right than I ever even let myself hope it would feel. I’m pretty much blown away by it.

I had a dream on Saturday night before my first shot that seems really obvious symbolism-wise and also blew me away. I was a little boy and I was playing in the yard outside of my house. I looked over and realized I had the shriveled-up, leathery carcass of a little girl next to me that I had been dragging around with me. She had been invisible to me, but I had been carrying her around for as long as I could remember. I realized I needed to bury her. I dug a hole in what I think was the neighbor’s garden plot, put her in, and covered her up. I knew she would be great fertilizer and beautiful flowers would grow on top of her.

I went inside, went to the bathroom, and then started running water for a bath. I looked at the floor and realized there were traces of her everywhere. There were very obvious marks on the wood floors where I had been dragging her around. I knew I needed to take the time to clean the marks up, to get rid of her. At that moment I heard the front door open and realized my dad was home (not my actual real-life dad, but my dream dad, who was not the same as my real life dad–this seems important to note). I felt a little embarrassed that he would see the marks the girl had left all over as I had been carrying her around with me, but then realized he probably could see her before, and that she was gone now.

I woke up a little confused and surprised that my subconscious was apparently ready for that. Maybe it was just trying to tell me that I am actually going in the right direction. Maybe it’s not as obvious as I seem to think it is.

Feeling Deeply (thesis exerpt)

This is an exerpt from my Master’s thesis titled “Erotic Embodiment and Integration of Soul, Spirit, Body, and World: Toward a Sacred Erotic Psychology Healing Praxis,” it is a piece from the Theoretical Foundation chapter, Sacred Eroticism as Ontology section.

To further understand the self-deepening and embodied feeling inherent in the erotic, I turn once again to Audre Lorde1, who wrote:

[The erotic] is an internal sense of satisfaction to which, once we have experienced it, we know we can aspire. For having experienced the fullness of this depth of feeling and recognizing its power, in honor and self-respect we can require no less of ourselves. . . . the erotic is not a question only of what we do; it is a question of how acutely and fully we can feel in the doing. Once we know the extent to which we are capable of feeling that sense of satisfaction and completion, we can then observe which of our various life endeavors bring us closest to that fullness. (p. 54)

Thus, feeling is the first step toward healing our disconnection from our erotic lifeforce and experiencing the power of the erotic. Through fully embracing our own erotic experiences of satisfaction we are given access to our deeper and full Self. Through this experience of feeling we can determine where we are numbing out, freezing, or paralyzing, and where we need to expand our experience of emotions, pleasure, and sensations. We can also discover where our passions and desires lie through this same process. This is a wholly embodied process that is also cyclical. The more we feel the more we are embodied, and the more we are embodied the more we feel.

Another natural byproduct of both individual and cultural erotic expansion is the emerging of an anti-oppressive ethic that is inherent in this type of engaging with and experiencing the world. Through this process of individual growth and becoming, we bring these developments to the culture at large. This encourages us as a culture and species also move toward sacred embodied living. An anti-oppressive ethic is referring to a life ethic, or a value-based ideology. In this instance, the value is equality, diversity, justice, and self-expression as well as opposition to suffering, inequality, and discrimination. This ethic arises through the understanding of and connection with one’s higher self and soul’s purpose because of the centering of pleasure, wholeness, and authenticity that occurs when embracing the erotic.

Both Lorde1 and Kraemer2 stressed the inherent experience of anti-oppression that embracing the erotic leads to. Lorde (2007) stated:

[One] important way in which the erotic connection functions is the open and fearless underlining of my capacity for joy. . . . This is one reason why the erotic is so feared, and so often relegated to the bedroom alone, when it is recognized at all. . . . In touch with the erotic, I become less willing to accept powerlessness, or those other supplied states of being which are not native to me, such as resignation, despair, self-effacement, depression, self-denial. (p. 56-58)

This shift in personal experience and willingness to oppose the programming of the culture at large is at the essence of this anti-oppressive ethic. There is a compliance and complacency that one is required to buy into when unconsciously perpetuating intersectional oppression, either outwardly or internally. This shift toward the erotic, or the shift toward understanding our own individual capacities for joy and our own sources of personal power, is a shift away from accepting the narratives of oppression and obedience ingrained in all of us from the dominant culture. Embracing our erotic natures is a move toward self-understanding, sovereignty, and authenticity. This occurs through the recognition of, acceptance of, and responsibility over one’s own desires, joy, and pleasure.

The closer we are to full-bodied feeling and wholeness of Self, the closer we are to understanding our own sacred erotic natures and reason for being. This is the ultimate goal of SEP3: to assist individuals, groups, and the world toward individuation and the understanding of their soul’s purpose. The particular way I go about this is through investigating the erotic, and the archetypal, mythological, and metaphorical relationships the individual has with the erotic and the body. To this end, sexuality, emotions, connection to and understanding of the sacred, archetypal engagement, past experiences, family dynamics, complexes, the shadow, personal and cultural experiences of power, and many other aspects of the Self must be investigated and integrated within the life of an individual to work toward embracing what I refer to as one’s Whole Erotic Self.

  1. Lorde, A. (2007). Sister outsider: Essays and speeches. Freedom, CA: The Crossing Press. [] []
  2. Kraemer, C. H. (2013). Eros and touch from a pagan perspective: Divided for love’s sake. New York, NY: Routledge. []
  3. SEP: Sacred Erotic Psychology, the interdisciplinary field that I am crafting/creating and working within. []

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